Showing posts with label Predictions. Show all posts
Showing posts with label Predictions. Show all posts

Sunday, March 2, 2014

Top Ten Films of 2013 and Oscar Prediction Post

Well, it is Oscar Sunday!  Here's hoping it is a more entertaining show than this year's Super Bowl!

Before we get to some thoughts on the Oscars, let's take a look at my Top Ten films from this year!


10. FROZEN

The best non-PIXAR Disney animated movie of all time!  A fun story with great female protagonists, and a message that you don't feel as bad about your kids seeing (unlike the hidden patriarchal messages usually found in Disney's animated films).

Some of the songs aren't terribly clever, but the greatness that is Idina Menzel sells some of them, particularly the popular Let it Go (although Do You Wanna Build a Snowman might be my favorite song in the movie).  Ultimately, this would have been a lot higher on  my list if there were a couple fewer songs in it (or even better, just Let it Go and Do You Wanna Build a Snowman).

There was still a lot to like, however.  Unlike typical Disney animated fair, I wasn't positive on how it would end until the very end.  Such a fun film, which will easily and deservedly win Best Animated Feature.


9.  ENDER'S GAME

One of the best books I've ever read led to some trepidation on how the film adaptation would go.  I needn't have worried.  While there is a lot that I love from the book that is rushed or skipped in this version (as is almost always the case), the important parts are there, as is the message of the story that is so sadly missed these days by the author himself.

This is a tale that has often felt prescient, and now is a perfect time for this story to once again gain some traction so that we perhaps can learn that violence is not the best answer to problems, not even to answer violent actions performed against us.  Ender takes some time to learn that lesson, but in the end, he does, and hopefully someday, so can we.

The other important message in this film (and even more important in the books that follow in the Ender series) is the idea that no matter how different others seem from us, there are ways that we are alike as well, and there is and should be love.

I was very impressed with the adaptation.

8.  PACIFIC RIM

Guillermo del Toro is one of my favorite directors, and this film helped show why!  This could have been just a loud spectacle featuring giant robots and even larger monsters, but at the hands of del Toro there are great characters and a surprising amount of heart.  And still everything else you would expect or want in a movie about giant robots and even larger monsters!



Imagine this film as directed by Michael Bay (*shudder*), it would have just been explosions and shaky cam, and while there would have been scenes of robots fighting monsters, you wouldn't have been able to follow the action.  Instead, del Toro (who gave us the excellent Hellboy films as well as former Top 10 member Pan's Labyrinth) focuses on the characters and the hard lives that the invasion by these monsters have caused.  It totally works.

One of the films from this year that really benefits from the technology of film going these days, it is masterful when seen on a really, really large screen in 3D.

7. THE HOBBIT:  THE DESOLATION OF SMAUG

In the Lord of the Rings trilogy, the week spot was unquestionably the middle film, The Two Towers.  In trilogy films that are basically one long story, it is usually the middle film that suffers (See the second Matrix as another example).

How much danger was this film in of falling into this trap?  Peter Jackson had already suffered this fate with The Two Towers, and this was the second film in a trilogy based on a rather short book!  Of course, Jackson and the other writers are also using a lot of the ancillary writings of JRR Tolkien to give us a lot of other information about what was happening in Middle Earth leading up to the War of the Rings.

It totally works.  And the fantastic actors of this film certainly don't hurt.  Nothing like seeing Watson face off against a Sherlock-voiced dragon on the big screen.

I actually think I enjoyed this one more than the last one!  I can't wait for the conclusion to this trilogy.

This was another of the films that was meant for and probably helped by a 3D IMAX viewing.

6.  THE SECRET LIFE OF WALTER MITTY

I have to admit, I didn't think I would like this movie as much as I did.

This was a film told in an interesting and new way, throughout the first part of the film fantasy and reality mix together seamlessly in a way that make the moment when Mitty's real life becomes more fantastic completely believable and immersive.

Ben Stiller gives the best performance of his career, not ignoring his comedic abilities, but also highlighting a dramatic ability I didn't know he had!

This film was funny, touching, and exciting in a way I wasn't at all expecting.  Do yourself a favor and check out one of the films that absolutely should have been nominated for best picture.  Even in a year with nine nominees, they can't get it totally right.

5.  MUCH ADO ABOUT NOTHING

A film that for the majority of the year held the top spot on my list.  Joss Whedon finds himself in a Top 5 spot for the second straight year (although technically Drew Goddard directed Cabin in the Woods, but let's be honest, it was still totally a Joss Whedon film).

A film that uses black and white to an effect (unlike one of the best picture nominees where it felt much more like a gimmick to me), Much Ado About Nothing combines modern sensibilities with older techniques such as the presentation in black and white and the Shakespearean language.  It takes a couple of minutes to get the hang of the language, but when you do, you forget you are watching the filming of Shakespeare and instead find yourself completely immersed.

Plus the "hey it's so and so from such and such Joss Whedon work" game is very fun to play.

The absence of this film from the Best Picture nominees is the most glaring to me.  It deserved much more recognition than it got.

That being said, the Academy Awards did a fairly good job this year as the rest of this Top Ten list did all receive Best Picture nominations.

4.  12 YEARS A SLAVE

A heartbreaking story of one of the darkest periods of history, especially in our country.  Solomon Northup's tale of kidnapping and enslavement will hit you right where it hurts.

There are some amazing performances in this film, including the best work of Benedict Cumberbatch in a year in which he also plays a dragon and an iconic Star Trek villain.  But it is Chiwetel Ejiofor who gives unquestionably one of the best performances of the year that makes this such a powerful film.

It isn't an easy film to watch, but it is a powerful one.





3.  PHILOMENA

While 12 Years a Slave reminds us of the sins of a few centuries ago, Philomena lets us know that our sins are not relegated to hundreds of years ago, but are much, much closer, and often perpetrated by those who should be fighting sins rather than committing them.

Philomena takes quite a few liberties with some of the less important details of the story on which it is based, but the important bits are all true and horrendous to contemplate.

The film could have been completely bleak and heartbreaking, but Judi Dench is so good as the title character and gives a tremendous amount of heart and humor to a story that otherwise could have just been dark and depressing.

The organized church doesn't come out of this film in a very positive light, but ultimately there are some great Christian messages.  Philomena herself shows the power of the message that Christianity too often forgets it is supposed to highlight, the importance of forgiveness even for things that are entirely unforgivable.



Back in 2006, I couldn't make a decision between the top two films.  In 2007, I almost did it again.  In 2011, I almost had a 3 way tie at the top, but neither of those years were as close to needing the tie again as this year was.  I made a decision, although I went back and forth on it quite a lot, but this was the hardest choice I've had since 2006.  So, onto the almost number one film of the year that just (but very, very barely) missed out on actually being number one.

2.  HER






Don't judge this film by the previews or the premise, which is admittedly a little strange.  Actually, I think this film is about something a lot deeper than just our rather intense dependence on technology.

I would love to know if Spike Jonze (who also directed the fantastic Being John Malkovich, Adaptation, and Where the Wild Things Are) read any process theology before writing this film.  Process Theology is the rather new theological thought that views God differently from the classical view of God as intangible and unknowable and largely separate from our world.  Instead, in process theology, God is incredibly imminent, experiencing life along with us, feeling the same pain, joy, and life that we ourselves are experiencing.  (This is a great simplification of a difficult idea, but it should give you the jist).

With process theology in mind, I view this film as an examination of our relationship with God using relationships as a metaphor.  The end of a marriage stands in for loss and a romantic relationship stands in for our relationship with God.  The film seen through this lens examines how God helps us through pain and loss and changes due to that experience and along with us.

It's a fantastic film that makes you think (rather you view it in regards to process theology or not) and makes you believe in a relationship that is anything but conventional.

1.  GRAVITY


I loved, loved, loved this film.  For a lot of different reasons.  Like a few other films on this list, this is a movie that is meant for huge screens and 3D.  It is an immersive experience when viewed in 3D on an IMAX screen.  You find yourself having trouble breathing when Sandra Bullock is running out of oxygen.  It is an edge of the seat thrill ride.

But it is also so much more than that.

It is a film that celebrates the human desire to recover, to move on, to live even after the fact of unspeakable tragedy.  It is so easy sometimes after traumatic experiences to just give up, to barely function through life, to just drive.

I was driving when I got the call.  So that’s what I do.  I get up, go to work, and I drive. - Dr. Ryan Stone

Sometimes we have to get kickstarted into remembering that we're still here, we're still alive, and that life, even in the midst of tragedy, is worth living.

This film made that point, and in fantastic, thrilling fashion.

It's about much more than an astronaut dealing with an accident in space, trying to come home, its about all of us dealing with tragedy, trying to move on.

A very worthy film, and one that has a legitimate shot of not only being my number one film of the year, but the winner of the Best Picture at the Oscars tonight as well.

OSCAR PREDICTIONS


Let's take a look at some of the major catagories with my thoughts on who will win (and who even realistically has a chance) and then my thoughts on who should win (but in many cases probably won't).

Best Picture


Along with the top four of my top ten, five other films were nominated for Best Picture, so all told, nine movies.

American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
Wolf of Wall Street

This is a three film race.  The only possible winners will be Gravity, American Hustle, or 12 Years a Slave, and I think it is really down to Gravity and 12 Years a Slave.

Will Win:  I'm going to pick Gravity here, but 12 Years a Slave would not be a surprise.
Should Win:  In my opinion, it should be Gravity


Best Director

Rarely does the winner of this award differ from the Best Picture award, although it has happened more frequently lately.  I think it could happen this year.  This is really between Alfonso Cuaron for Gravity and Steve McQueen for 12 Years a Slave (also nominated are David O Russell for American Hustle, Alexander Payne for Nebraska, and Martin Scorsese for Wolf of Wall Street).

Will Win: Alfonso Cuaron (although legitimate chance for McQueen, who would be the first black winner of this award, so we could see history tonight).
Should Win: Alfonso Cuaron.  The technical job on Gravity is equal to, if not greater than, it's story.


Best Animated Feature

Frozen
Ernest and Celestine
The Wind Rises
Despicable Me 2
The Croods

Not even a contest.

Will Win: Frozen
Should Win: Frozen


Best Actress

Amy Adams (American Hustle)
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Meryl Streep (August: Osage County)

Will Win: Cate Blanchett, although I think Sandra Bullock has a chance.
Should Win: Sandra Bullock.  I'm not a huge fan of hers, but this was a masterful performance, and a very demanding one as well.  If she hadn't won recently for Blind Side, I think she would win hands down this year.  The politics of the Academy might keep her from winning because of that recent win (that probably wasn't as deserving a performance).

Best Actor

Christian Bale (American Hustle)
Bruce Dern (Nebraska)
Leonardo DiCaprio (Wolf of Wall Street)
Chiwetel Ejiofor (12 Years a Slave)
Matthew McConaughey (Dallas Buyers Club)

Will Win: Matthew McConaughey (although watch out for a slight upset with the Academy finally rewarding DiCaprio who has been consistently amazing for a few years now).
Should Win: Chiwetel Ejiofor gave the best performance of the year in my opinion.

Best Supporting Actress

Sally Hawkins (Blue Jasmine)
Jennifer Lawrence (American Hustle)
Lupita Nyong'o (12 Years a Slave)
Julia Roberts (August: Osage County)
June Squibb (Nebraska)

Will Win: Jennifer Lawrence (and she was by far the best part of that movie in my opinion)
Should Win: Lupita Nyong'o, and she has a chance, especially since JLaw won Best Actress last year.


Best Original Song

Happy (Despicable Me 2)
Let it Go (Frozen)
The Moon Song (Her)
Ordinary Love (Mandela)

Will Win: Let it Go
Should Win: The Moon Song (the music from Her was phenomenal.  One of the best scores of all time in my opinion.  While Let it Go is a great song, even better when you add in Idina Menzel, The Moon Song is, in my opinion, a better song.)

Best Original Screenplay

American Hustle
Blue Jasmine
Dallas Buyers Club
Her
Nebraska

Will Win: American Hustle
Should Win: Her

Critics loved American Hustle, and this is where the love for that film will be shown (along with the JLaw win).  But the screenplay was one of the main problems with the movie for me (it didn't even make my Top 20.  It and Nebraska were the only Best Picture nominees that failed to make my Top 20 this year.)  Way too much voice over, which is just weak storytelling.  Her, on the other hand, was utterly original and incredibly thought provoking, and much of that is clear in the story and dialogue despite the great performances in the finished film.

Best Adapted Screenplay

Before Midnight
Captain Phillips
Philomena
12 Years a Slave
The Wolf of Wall Street

Will Win: 12 Years a Slave
Should Win: Philomena

And Philomena has a chance, but since I think Gravity is going to take Best Picture and Director, I think this is the consolation prize for 12 Years a Slave.  It is a very faithful adaptation from the book, so it definitely deserves the accolade, but Philomena, despite the liberties taken with the actual story, excels at taking a part of the story in the book and making you experience it through Philomena's side.  Plus it handles greatly the heartbreak and tragedy of the tale with a perfect mix of humor along the way.


Good luck on any Oscar Polls you participate in, and enjoy the show!

Until Next Time, don't forget to join in with My Thoughts As I Have Them During the Oscars by tweeting with or following the hastag (#MTAIHTDTO)!
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Monday, February 21, 2011

Oscars Preview and Prediction Post! The 2010 Edition!

The nominations are out and the 27th of February is fast approaching!  Time for us to look a little deeper at the categories and look at who will win (as well as who the winner should be) in the annual Oscars Preview and Prediction Post!

ACTOR IN A LEADING ROLE

While I am a huge fan of most of the actors on this list, and I would love another Dude-like acceptance speech from the Dude (aka Jeff Bridges), it seems like this Oscar is going to go to Collin Firth for The King's Speech.  The only question is, does he stutter while giving his acceptance speech?  James Franco is probably the most deserving, his performance in 127 Hours literally makes the movie what it is, but his time will certainly come.  It's not as if he won't be getting lots of exposure considering he's hosting these very Oscars!

Will Win- Colin Firth
Should Win- James Franco

ACTRESS IN A LEADING ROLE

Natalie Portman should and will win for her amazing, gritty, and disturbing performance in Black Swan.  I'm okay with that since I love Portman.  But part of me is rooting for Michele Williams, since she is starring in a movie produced by a friend of mine's brother.

Will Win- Natalie Portman
Should Win- Natalie Portman

ACTOR IN A SUPPORTING ROLE

As much as my admiration and appreciation for Christian Bale has waned over the last few years, partly because of his over the top gravelly Batman voice which was the only negative thing in the entirety of The Dark Knight, and especially because of his Trashing Your Lights tirade, his dedication to his craft (that being acting) has never been questionable, and the way he disappeared into this role will probably reward him with an Oscar.  Of course, that will probably only make him more difficult to work with, but what can you do?  The only other possibility in this category is that Geoffrey Rush wins for his performance in The King's Speech.  Ultimately, I think that the statue will go to Bale, however, because his performance was much more challenging than Rush's, even though Rush was fantastic in this film.  John Hawkes is one of my favorite actors, I absolutely love him in Eastbound and Down, and he was very good in Winter's Bone, a film that I really didn't like that much, but the acting is terrific.  Mark Ruffalo was probably the very best part of the very good The Kid's are All Right, and I'm looking forward to him as Bruce Banner in The Avengers.  I'm also glad that Jeremy Renner is getting more and more notoriety.  On a side note, I think that Justin Timberlake probably deserved a nomination here for his portrayal of the creator of Napster in The Social Network.  But again, what can you do?

Will Win- Christian Bale
Should Win- Christian Bale

ACTRESS IN A SUPPORTING ROLE

Without question, this award needs to go to Hailee Steinfeld.  In fact, she should have recieved a Best Actress in a Leading Role nomination.  She was definitely in a leading role, as her character was without a doubt the main character in the piece.  However, she had to settle for a supporting nomination.  Unfortunately, I doubt that she will win, even though she deserves to.  I think that Helena Bonham Carter will probably walk away with the award, and were Steinfeld in the Lead Actress category where she belongs, I'd probably agree with Helena winning here.

Will Win- Helena Bonham Carter
Should Win- Hailee Steinfeld

 

ART DIRECTION


These technical categories always give us a sense of where we'll end up at the end of the night.  If True Grit is going to give the Coen's the second best picture win in four years, they'll start by taking this one away from The King's Speech.  It wouldn't shock me if it happened, especially because even with all the nominations, I don't think that The King's Speech is going to be the big winner tonight.  That being said, safe money is on The King's Speech taking this award.

Will Win- The King's Speech
Should Win- True Grit

COSTUME DESIGN


Again, a category where the two Best Picture faves, The Social Network and The King's Speech aren't going against each other, so no clues on who will come out on top there, but if an interloper is going to enter the fray, we could get a clue here, and again that possible entrant is True Grit.  The award will probably go to The King's Speech, but it wouldn't be a shocker if True Grit pulls off the win, since the film probably deserves the win anyway.

Will Win- The King's Speech
Should Win- True Grit

 

SOUND EDITING


SOUND MIXING

Usually the winner of these awards is a genre picture.  Most of the time that genre picture isn't nominated for Best Picture.  I'm not sure that you would really call Inception a genre picture, but in reality, it is science fiction.  It is also an action pic on many levels, and it will win both of these awards while also being up for Best Picture.

Will Win- Inception
Should Win- Inception

 

VISUAL EFFECTS

The same pretty much goes for this category.  It is hard to deny the amazing effects in Nolan's masterful film.  A possibility here, however, is Hereafter.  The Academy loves them some Clint Eastwood, and the effects of the opening Tsunami is pretty much the only praise worthy thing in this film, so it wouldn't surprise me too much if it won here.

Will Win- Inception
Should Win- Inception

FILM EDITING

It's a shame that True Grit isn't up for this award.  I always hope that Roderick Jaynes will win this Oscar since he doesn't exist, but is actually the pseudonym of Joel and Ethan Coen.  Of those nominated, I think that The Social Network is going to win the award, but it probably should go to Weisblum for his work in Black Swan.  The frenetic feel of that film, the confusion and horror were due in large part to the editing.

Will Win- The Social Network
Should Win- Black Swan

 

MUSIC (ORIGINAL SCORE)

The two scores I enjoyed the most of those nominated this year are Inception and The Social Network, but I really felt that Clint Mansell's score for Black Swan should have been nominated.  I'm actually a big fan of Alexandre Desplat, as I think his score for The Fantastic Mr. Fox was among the best scores last year.  HP7 was great this year as well, so Desplat definitely is deserving of winning an Oscar, but I don't think he should win for The King's Speech.  The score, as beautiful as it was, was a little too on the nose, leading the audience toward the obvious emotion that they were supposed to feel, rather than simply subtly setting the mood the way an Oscar winning score should, in my opinion.  So, as it is, I think that Trent Reznor is going to be an Oscar winner.

Will Win- The Social Network
Should Win- The Social Network

 

MUSIC (ORIGINAL SONG)

There is no runaway favorite this year, and there isn't a movie that has multiple songs up for this award either.  I think the award will go to Tangled.  It's a good song, and a lot of voters felt the film should have received more nominations then it did.

Will Win-"I See the Light" Tangled
Should Win- "I See the Light" Tangled

ANIMATED FEATURE FILM

I still think that it is a shame that MegaMind and Despicable Me weren't nominated in this spot, and a lot of others feel the same way about Tangled.  As it is, it wouldn't really have mattered much in the grand scheme of things, since Toy Story 3 will win this hands down.

Will Win- Toy Story 3
Should Win- Toy Story 3

DOCUMENTARY FEATURE

A lot of people are shocked that Waiting For Superman didn't end up getting a nomination, myself among them, but I think the best documentary of the year ended up being nominated.  Exit Through the Gift Shop is a very odd film, however, so I am not sure that it will actually win.  I'm definitely hoping it does, but seeing as this award usually goes to the political film, I doubt that a movie about such odd characters and such an odd subject like street artists fits that mold.  It is the best film of the bunch though, so I'm holding out hope.

Will Win- Inside Job
Should Win- Exit Through the Gift Shop

CINEMATOGRAPHY

Without question, the best Cinematography this year was that of Roger Deakins in True Grit.  It is an utter crime that he hasn't already won an Oscar.  He certainly deserved it a couple of years ago for No Country For Old Men if not for The Assassination of Jesse James by the Coward Robert Ford that same year.  He was also the DP for recent Best Picture nominees Doubt, The Reader, and A Serious Man.  I can't believe he hasn't won an Oscar already.  Thankfully, I think that drought ends this year.

Will Win- True Grit
Should Win- True Grit

WRITING (ADAPTED SCREENPLAY)


WRITING (ORIGINAL SCREENPLAY)

The winner of the Best Picture almost always wins for its Screenplay as well.  The two overwhelming favorites for Best Picture this year are in separate categories for Screenplay, so no clues here this year.  We'll have to wait for Director.  That being said, I would probably pick different winners than the two that will win this year, but I can't complain about Aaron Sorkin, creator of The West Wing and Sports Night, winning an Oscar!

Will Win Adapted- The Social Network
Should Win Adapted- True Grit

Will Win Original- The King's Speech
Should Win Original- Inception


DIRECTING

Most years, the winner of this award also directed the film that wins Best Picture.  The only time that doesn't happen is when the votes are very close between the top two films for Best Picture.  In those cases you can sometimes see a split.  A split wouldn't shock me this year, but I'm not going to pick the split.  I feel very confident that I'm right on the Best Director, so if there is a split, I think it will be because I'm wrong on Best Picture.  Of course, I think that Darren Aronofsky actually did the best directing job this year with the dark and troubling Black Swan.

Will Win- David Fincher
Should Win- Darren Aronofsky

BEST PICTURE

Black Swan

Although the themes in this film and Aronofsky's last, The Wrestler, were very similar, this film was far better than that one.  The characters were much more intriguing to me, and the story was exhilarating, heartbreaking, and quite scary all at the same time.  Definitely worthy of the nomination. 

The Fighter
I'm not really a fan of sports movies in general, and boxing movies are often the worst of the lot.  There really aren't that many stories you can do with boxing, and most of the time they are only attempting to recapture the magic of Raging Bull when we don't need another Raging Bull. This film was fine, I enjoyed it, but it certainly isn't best picture worthy.  Bale's performance is unbelievable, but the story is as predictable as you might expect from a sports movie.  Most of the problems are overcome a little too easily, and the only character arc I really bought in the entire film is Bale's.  Plus, it is pretty annoying for a film that takes place in the 90s to have a car with a 2011 registration sticker being driven by the main character.  Those sorts of things shouldn't happen in films that get best picture nominations.

Inception
For most of the year, this movie topped my Top Ten.  (Whether it ultimately finished there or not, you will have to wait until later this week when my Top Ten is released to find out).  It is an incredibly imaginative film and has a "I need to see that again" quality that is rare in cinema these days.  Christopher Nolan is unquestionably a genius, and once again Leo proves that he is far more than just a pretty face.  The beautiful ending moment that left everyone talking was just icing on an already scrumptious cake.  (That last sentence was primarily written because I really wanted to write the word scrumptious, but the point stands.  Even though the ending got a lot of the notice, the film was brilliant long before that moment.)

The Kids Are All Right
This film was very well made.  The performances are fantastic and the story is great.  I was very disappointed with where Mark Ruffalo's character ends this film (especially since his character and his performance as that character really make the movie as strong as it is).  Upon thinking about it though, I think that it makes sense to leave his character where the film does, and that maybe we aren't supposed to like it.  I find the film very believable, even with the unsettled feeling I have at the end where Mark Ruffalo's character is concerned.

The King's Speech
It's a very good film, and if it does end up winning the night, which it very well might, I won't feel as bad about it as I have some other recent winners.  The reason that it wouldn't be my choice is primarily the fact that it force feeds the sentimentality a little too much in my opinion.  The score in particular is working overtime to pull your heartstrings at the "appropriate" moments.  It's, as I said, a very good film, and in a year where there aren't too many very good films, it certainly stands out.  Had it been a little less heavy handed in its use of emotional manipulators and been more subtle instead, I probably would have liked it a lot more.  While I do believe that this has a very good chance of being named the best picture of the year, I think that Tom Hooper has a much smaller chance of taking Best Director in some part because of this very issue.

127 Hours
While Danny Boyle can be hit (Trainspotting, Sunshine) or miss (Slumdog Millionaire) with me, and honestly, there are a few things that missed in this film for me, primarily the overabundance of the use of video (although some of that worked fine, especially in the cavern when Aron is filming himself believing he is about to die) and the crazy editing throughout the film, ultimately the performance that Franco gives vaults this movie into new heights.  Even though for much of the film it is just Franco, you never fail to stay connected to the film and the plight of the character.  This is even more impressive when you consider that most people know the outcome of the situation before they ever see the movie!

The Social Network
Much like I said when I reviewed the film, I was very wary of the idea of this movie when I heard about it, but began to be excited when I heard the names attached.  Ultimately, the pedigree of Fincher and Sorkin won out.  This was a story that needed to be told, and it was told by exactly the people who could best tell it.  I think this film is going to win Best Picture this year, and while it wasn't my choice for the best film of the year, it is definitely a deserving film, and there weren't many films that could make that claim this year, so I won't complain if this film wins.

Toy Story 3
With each successive Toy Story film, PIXAR outdoes themselves.  As much as I loved the first, the second was even better.  Then as good as the second was, this one blows it out of the water.  It has been a privilege to grow up with these films and these characters and to know that an entirely new generation is falling in love with Buzz and Woody the way that I once did.  It amazes me that computer animated pixels of toys can bring such emotion to the screen, and out of me as well.

True Grit
The Coen Brothers are among my favorite filmmakers.  They have never made a film that I didn't enjoy, and a majority of their films are brilliant.  As much as I love their entire filmography, this might be the best movie that they have ever made, and that is saying something.  Even though this film won't win Best Picture, I am very glad that the Coen Brothers are finally getting the recognition year in year out that they deserve.

Winter's Bone
I honestly don't know how this film got nominated.  The acting in this film are top notch, as was the music, but that is about it.  The pacing in this film was terrible, the story is basically the same as the story in True Grit, but not handled nearly as superbly, and it all wraps up a little too neatly for me (unlike True Grit, which makes everyone pay heavily for getting their desired results).  Ultimately, this was a year that the Academy was probably hurt for its decision to have ten best picture nominees, as there probably weren't ten movies that really deserved the honor.  This film certainly didn't, in my opinion.


Since, as I said, I am not predicting the split in this category and the category of best director, it should be clear that I am picking Social Network to win.  Again, however, I must make clear that I wouldn't be at all astonished if The King's Speech manages to win instead here giving us a Best Picture winner from a different director than the winner of Best Director.  I suppose we'll know in a week!

Will Win- The Social Network
Should Win- read my upcoming Top Ten to find out!

Until Next Time, shortly after the Oscars are completed, it will be time for my 6th Annual My Thoughts As I Had Them During The Oscars Post!  So make sure and tune in for that!
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